People

I have a never ending love affair with the hustle and happenings of the city center, and an obsession over what happens when strangers are thrown together in close proximity. Once, while venturing through the city in search for faces and light, I came across this place in the Melbourne CBD. Light reaches it directly for only 20 minutes a day, around lunchtime, when people rush away from work to get sandwiches and coffees.

What happens when a truck of corn keel over on the road? The answer is very simple. The chickens in the region will gain weight faster.

My favourite part of any day is the time I spend travelling to and from places. The journey is the best for SO many reasons... The day ahead is totally unknown and could unfold in any number of ways. It is a simple yet exciting. We are close to so many people yet completely disconnected. I capture moments during my journeys because they are unique, subtle and oddly poetic. These moments to me are some of the happiest of my life.

Dance is a series of infinitesimal poses, a succession of a million still frames, a reflection of its owner and of the party simultaneously. Or at least that's how it was for me when I came home and looked through shots that I found vibrant, of the moment and sometimes hilarious. Photographed through 2009-10 in various clubs and events in Amsterdam.

 

I've been working on "Taganoe's sea" for about four years. The purpose is to use only the line (pencil, marker, ballpoint pen), in a instinctive way: all that is felt by the eye is transferred to paper in a few minutes, with the following proportion errors, and without corrections. So I can use the line, the sign, as primary, direct expression, free from the prejudice, the influence of acdemic drawing. The whole work of Taganoe is oriented to the human figure.

weightlessness